Summary
Mike Hauk presented an introduction to static grass techniques, explaining the history and physics behind static grass application. He demonstrated various static grass applicators, including battery-operated and wall-powered units, discussed the voltage output of different models. Mike recommended the Woodland Scenics unit for its effectiveness and durability. He also advised on choosing the appropriate fiber length for different scales and emphasized the importance of making a mess when creating scenery.
Mike discussed techniques for applying static grass to model landscapes, emphasizing the importance of using appropriate applicator screens for different fiber lengths. He recommended Silfloor for its effectiveness, despite being more expensive, and noted that Woodland Scenic’s field system products worked well for longer fibers. Mike also shared his workflow, which involves using white glue as a base, layering ground foam, and applying static grass with hairspray for additional texture. He advised experimenting with different materials and techniques to suit individual needs and environments.
Mike demonstrated techniques for applying static grass to model layouts, emphasizing the importance of electrical continuity, using fresh batteries on battery-operated units, and maintaining clean contacts. He explained how to create custom grass tufts and scenic mats using a metal pan, parchment paper, and matte medium, which can be more cost-effective than commercial options. Mike also highlighted the importance of layering different colors, textures, and lengths of grass to achieve a natural look, referencing real-world examples and photos for inspiration. He encouraged attendees to experiment with these techniques and emphasized the value of practice and patience in creating effective scenery.
Mike discussed techniques for texturing and maintaining model railway layouts, including using paper towels to protect structures during texturing and strategies to prevent operators from damaging scenic areas. He explained his process for applying static grass, which involves diluting glue with water, spreading the glue with a brush, and using hairspray as a conductor for subsequent layers. Mike also shared tips for cleaning and maintaining the layout, such as vacuuming lightly and using an alcohol solution for dust removal.
Mike demonstrated how to apply ground cover by thinning it with water to achieve a consistency similar to latex paint, allowing for even distribution. Mike also discussed using the Woodland Scenic’s connector with the painted metal feet, advising to sand them for better contact, and mentioned that the Liquitex matte finish is occasionally on sale at craft stores.
Ground Goop Recipe
Make uses the classic Lou Sassi recipe for ground goop under his scenery, which includes one part each of celluclay, vermiculite, and paint, along with three-quarters part white glue, enough water to make it spreadable, and a capful of concentrated Lysol to prevent mold. Here’s the official recipe (from the official page):
- 1 part Celluclay – found at hobby shops, Walthers, etc.
- 1 part Vermiculite (found in lawn/garden or home stores) – find textures seem best
- 1 part Tobacco Brown flat latex PPG (Pittsburg Paint) paint, or whatever color is appropriate for your scenery.
- ¾ part Elmer’s regular white glue – not school glue
- 1 shot (capful) of concentrated liquid Lysol – via Amazon, etc.
- Mix with small amount of water to desired consistency – oatmeal consistency works well
Video
Here’s the video of the full clinic.